Beercraft at Studio 880, 06/23/2008
This past Friday, my all-beer band, Beercraft, played a company BBQ at Studio 880 (Beercraft guitarist Blackout is an employee), along with the B-Sides (an excellent 70s butt rock cover band) and a funk band the name of which I didn’t catch. We thought we were playing around 8:00, but ended up playing more like 11:00. There was no shortage of crappy beer, and a nice fat jug of bourbon, as well as some good and some great tequila, but Beercraft needs good beer to fuel our amplifiers and stiffen our drumsticks, so The Mug (drums) bought a pony keg of Boont. By 11:00, we had each consumed well over our share of beer, and adding to that was the venue - a recording studio with excellent equipment to play on and a state-of-the-art booth to properly mix the sound and clarify all our drunken mistakes.
But Beercraft cannot be destroyed so easily with much beer and crisp sound! No, one of the essential questions to ask when writing a Beercraft song is “can I play this smashed?” If the answer is no, fix it! Are there six riffs in the song? Drop two! Too many key changes? Any key change? Make it all one key! Is the drummer playing in 13:8 while everyone else plays 3:4? Okay, that’d never happen regardless (actually, I think that did happen at one point during the set, but it wasn’t done on purpose). Really, though, we haven’t had to think about it that much - simple and fun is pretty simple and fun to write.
We played our set. I was pretty pleased, despite a couple mistakes. Nobody fell over, though Blackout was threatening to play leaning against the wall, and Amber Cascades (guitars) swears she fucked up all over the place. I don’t know, I didn’t hear it. Honestly, I couldn’t hear much, but it was a fun set. Hopefully we’ll have some more public gigs in the near future.